Identity Crisis: The Real M.Kyes...

May 14, 2012 by

In the current pre-publication packet some of you may have noticed that the composer of the anthem ShH 453 CRUCIFIXION is no longer given as “M. Kyes”. The identity of this composer has been a tantalizing enigma for some time; who could write such an extraordinary piece as Crucifixion, and yet remain utterly unknown? Ten pieces are ascribed to M. Kyes in Asahel Benham’s Social Harmony, two more tunes in Benham’s Federal Harmony, and a single tune (ShH 452 SOLITUDE) in Wyeth’s Repository, Part II. A look at Benham’s indices brings up the question: why is “Kyes” the only composer there with an initial before his surname? There is no record of any other composer of the period with the same surname, so why was the distinction necessary? The clue lies in the name...

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